I don't care what the movie reviewers say, I like Rock the Kasbah , the latest Bill Murray film. One reviewer, who began his review by saying how much he liked Murray, panned the movie because Murray was in nearly every scene. Hello. Murray was the main character. The story was about his journey. Duh? Maybe some reviewers couldn't handle Kate Hudson's character, Merci, a sultry, golden-hearted prostitute, in love with Bill Murray's character, Rich, an older, down-on-his-luck music promoter. Why not? The pairing reminded me of Goldie Hawn and Walter Matthau in Cactus Flower . Matthau's craggy look was quite handsome in my eyes. Perhaps the reviewers couldn't believe the story taking place in Afghanistan. That it was really quite a stretch to have Murray play someone who was able to persuade an Afghan American Idol -like show to let a young woman from a small remote village sing on national television. Or, maybe the reviewers felt it was too unbelievable f

My Alphabe Thursday theme: Places I've Been Back in March, the Husband and I stumbled upon an amazing landmark in Salinas, California, of which I think many people in our area are unaware. Standing on top of a historic mill on the Harden Estate in North Salinas was a Victorian mechanical wonder known as the Challenge Double Header Wind Engine. It's considered the only surviving windmill of its kind. Wowza! The Challenge Double Header Wind Engine was built in 1892 by Salinas Valley pioneer grain farmer and dairyman Duncan McKinnon. Back then, many called the machine's design  a "masterpiece in Victorian engineering". The wind engine has two 30-foot wind wheels that rotate in opposite directions. It also has two smaller wheels which rotate the wind engine so that it faces the wind. McKinnon decided to build the wind engine after seeing an advertisement. The man had vision. He used the wind engine to power his mill, a water pump, blacksmith shop, and

Tilda-Hilda and I pedaled nearly four miles today, back and forth to downtown to pay a bill. So inconsistent, we are. Not paying bills, but working out. At least, we are getting out there now and then. It feels good when we do.

Red Pallets Zipping Down the Highway . Sounds like a good title for something, don't you think? Yesterday morning, I saw a rig loaded with red pallets zipping past us at the traffic light. It was a poem in movement. "There goes a picture," I said to the Husband. "Too bad I didn't have my camera out." "What?" "That truck with the red thingies on them." "Those are pallets. What makes that a picture?" "Because they're red. How often do you see fire-red pallets? And, a lot of them piled high on the back of a truck?" About seven minutes later, the Husband said, "We're coming up to the red pallets." I fumbled for my purse, hoping the traffic lights up ahead would stay red. I got the camera out. The lights turned green. I rolled down my window. The husband pulled into the left lane to get around the truck.  I focused the camera. Oh well. I got a little bit of the red pallets, at least.

Friends Jenn and Moose and the Husband and I took part in a paint party at the San Benito Olive Festival last Saturday. Altogether, there were 18 participants. Hmmm, I think the Husband and Moose were the only guys. What's up with that? Is getting guys to paint the same as getting them out on the dance floor? The Husband and Moose have no problem shaking their booties.  We did a lot of that at the festival, too. Our teacher-host was Artist/Sculptor Paul Loughridge. His robot and metal sculptures are especially trés cool. Check some of them out at his website .  Okay, back to the paint party. Being that it was at an olive festival, Paul guided us through a painting of olive branches. Having not painted since grammar school, I was hesitant about whether I could recreate his painting. Several other participants articulated how I felt. He reassured us. We were not to worry. We would be creating our own original paintings. And, so we began. He told us which brush to use, what co